Do you always fall into the same writing habits? The same tone, the same phrases? You’re in good company. At my lovely Creative Writing class yesterday I was explaining how writers have tics – not facial ones, although perhaps we have them too – the ones...
Scenes are what make writing visual. They create a moment-by-moment experience for the reader. Here are 10 ways to make yours work harder. Follow the screenwriter’s mantra: arrive late and leave early. This means you start the scene with the action not the lead up and...
How believable is the world of your characters? How can you make it feel more real? © paulbriden This week I’ve been thinking about world building in preparation for my new two-day workshop, The Screenwriter’s Toolbox with a Novelist’s Craft at the Sydney Writers' Festival. I’m doing...
We read because we want to feel what it’s like to be another person and experience another reality. We watch films for the same reason. When a movie or a story is gripping it is because the emotions that we’re seeing on the page or...
This month I started teaching Creative Writing at the Australian Writers’ Centre. The premise of the course is ‘There’s no right way to write.’ Of course, there isn’t. Anyone who tells you to do it their way is misguided. Nor is there any right way to plan...
You never know what you’re going to do to research a book. For The Pagoda Tree I’ve shared my hotel room with a rat, ridden on a bullock cart, met a prince and driven all night from Delhi Claire on the back of a bullock cart,...
Whether it’s an article or your first chapter, you need to make your first lines work hard. They must hook the reader, wind them in, convince them to read on. They need to set up your story. They usually establish point of view; they often introduce...
In a recent video interview with the Australian Writers’ Centre I was asked how I write about other cultures. The pitfalls, the pleasures. And how writing about my Indian characters in The Pagoda Tree differed from writing about Ani, the Tibetan nun, in Last Seen...
The first question a journalist asked me last week was why I made the decision to write my new book as fiction. Why I made the leap. Although Last Seen in Lhasa is a travel memoir, I used fictional techniques — creating character, plenty of dialogue...
What makes you write? Do you write to be read? I was watching an interview with Australian author Markus Zusak (The Book Thief) who said that even if he knew his next novel would never be read, he’d still write it. That’s pretty honourable, I reckon. When...